MOP Mag

Needlework on Water: On the Cinematography of Carolee Schneemann

This text was written by Lital Dotan as a companion to an outdoor screening of films by Carolee Schneemann in July 2022, as part of Glasshouse’s programming under ‘The Captive Spectator: On the Otherhood in Motherhood’. Special thanks to the Carolee Schneemann Foundation and Rosekill Farm for supporting the project.

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Performance Art Could Redefine How Post Pandemic Art Is Experienced. At Least For A While 

Imagine the post pandemic museum space- floors lined with 6 feet markers, guards limit guests to 30 second visits at each space to monitor crowd control- is this the best way to experience art? The new limitations are an opportunity to experiment with different approaches to the space and timeframe of the conservative exhibition experience.

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