MOP Mag

Posts in Exhibition Essays
Needlework on Water: On the Cinematography of Carolee Schneemann

This text was written by Lital Dotan as a companion to an outdoor screening of films by Carolee Schneemann in July 2022, as part of Glasshouse’s programming under ‘The Captive Spectator: On the Otherhood in Motherhood’. Special thanks to the Carolee Schneemann Foundation and Rosekill Farm for supporting the project.

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